Dedication
A Letter to my Dear Flutist Friends
Notes for the Pianist
To the Pianists, With My Appreciation
Why This New Book?
Learning and Studying Excerpts Today
How to Use This Book
Flute Parts — The Music You Will Use
Learning to Take a Successful Audition
Personal Preparation
The Audition — To Win or to Learn
Playing in an Orchestra
Playing in Opera and Ballet Orchestras
Acknowledgments
About Jeanne Baxtresser
About the Collaborative Editors
Johann Sebastian Bach
Mass in B Minor, BWV 232
Part IV, No. 24, Benedictus, bars 1-12
Béla Bartók
Concerto for Orchestra
Mvt. I, bars 1-35
Mvt. IV, bars 1-25
Mvt. IV, pickup to bar 136 through 151
Mvt. V, bars 26-148
Ludwig van Beethoven
Symphony No. 7 in A Major, Op. 92
Mvt. I, bars 38-88
Mvt. II, bars 131-183
Hector Berlioz
Symphonie Fantastique, Op. 14
Mvt. I, 2 bars before [2] through [3]
Mvt. I, 4th bar of [5] through 3rd bar of [6]
Mvt. III, 1½ bars before [37] through 5th bar of [38]
Charles Gounod
Petite Symphonie
Mvt. II, bars 1-29
Mvt. II, bars 60-89
Gustav Mahler
Symphony No. 9
Mvt. I, 2 bars before Misterioso through 3rd bar of Nicht mehr so langsam
Mvt. I, beat 4 of Sehr zögernd through 3rd bar after Wieder a tempo
Symphony No. 10
Mvt. V, bars 27-45
Wolfgang Amadeus Mozart
The Magic Flute, K. 620
Act I, No. 8, Finale, bars 1-24 of “Wie stark ist nicht dein Zauberton!”
Act II, No. 21, Finale, bars 1-10
Walter Piston
The Incredible Flutist
“The Flutist,” Lento after [E] through end of solo
Nicolai Rimsky-Korsakov
Scheherazade
Mvt. II, 3 before [Q] through 13th of [Q]
Mvt. III, pickups to 8 before [B] to 1 before [B]
Mvt. III, pickups to [M] through [N]
Mvt. IV, 4th bar of [T] through Più stretto
Robert Schumann
Symphony No. 1, “Spring,” Op. 38
Mvt. I, bars 14-23
Mvt. I, bars 158-193
Mvt. IV, bars 174-206
Dimitri Shostakovich
Symphony No. 5, Op. 47
Mvt. I, [13] - [15]
Mvt. I, [39] through 3rd bar of [41]
Mvt. II, pickup to 6 bars before [59] through 8th bar of [60]
Symphony No. 6, Op. 54
Mvt. I, [16] through 3rd bar of [18]
Mvt. I, 4 bars before [23] through [26]
Mvt. I, 3 bars before [27] through 7th bar of [27]
Symphony No. 15, Op. 141
Mvt. I, bar 1 through 4 bars after [4]
Mvt. I, 8th bar of [46] through [50]
Richard Strauss
Der Rosenkavalier, Op. 59
Act I, 4 bars before [230] through [233]
Act I, [251] - [253]
Don Juan, Op. 20
Bar 1 through [B]
[K] through 3rd bar of [L]
Ein Heldenleben, Op. 40
6 bars before [14] through [14]
3rd bar of [15] through 8th bar of [15]
2nd bar before [41] through 11th bar of [41]
Symphonia Domestica, Op. 53
8 bars before [22] through [24]
Igor Stravinsky
The Firebird
Pas de Deux (Firebird and Ivan Tsarevitch), 1945 version, 1 bar before [25] through 4th bar of [33]
“Appearance of the Thirteen Enchanted Princesses,” 1910 version, 4 bars before [52] through 2nd bar of [53]
Jeu de Cartes
Variation IV: [75] - [79]
Symphonies of Wind Instruments
2 bars before [6] through [9]
3 bars before [14] through 3rd bar of [26]
[28] to the 3rd bar of [37]
Peter Illytch Tchaikovsky
The Nutcracker, Op. 71
Act II, Chinese Dance, complete
Dance of the Mirlitons, bar 1 to [C]
Sleeping Beauty, Op. 66
Act III, No.25, Pas de Quatre
Swan Lake, Op. 20
Act III, No. 19, Pas de Six [32] - [33]
Act III, No. 19, [35] - [36]
John Williams
Harry Potter and the Prisoner of Azkaban
Suite for Orchestra, “Hagrid’s Friendly Bird,” bars 127-151
Star Wars
Suite for Orchestra, Princess Leia’s theme, pickup to bar 15 through bar 33
War Horse
Dartmoor, 1912, bars 1-15
Dartmoor, 1912, pickup to bar 131 through bar 144
